The filmmaker, Kalidas Jayaram, Bhavani Sre and Shantnu Bhagyaraj on ‘Thangam’, their quick movie that’s a part of Netflix’s upcoming Tamil anthology, ‘Paava Kadhaigal’
“If you give me an opportunity to work only with Sudha Kongara for the rest of my life, I would happily take it,” says Kalidas Jayaram. Earlier this 12 months, he starred in Ilamai Idho Idho, the director’s section in Amazon Prime Video’s Putham Pudhu Kaalai shot throughout lockdown. The two reunite for yet one more quick movie, this one titled Thangam, which is a part of the upcoming Netflix Tamil anthology, Paava Kadhaigal.
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Kalidas performs Sathaar, a transgender in a small village in the 80s. Reviled by the townspeople who pay her a pittance to do menial jobs and barely tolerated by her household, she finds pleasure in her friendship with childhood companion, Saravanan (Shanthnu Bhagyaraj). “In popular and mainstream media, we hardly have any representation of LGBTQ issues. Having said that, I did not choose the story for this reason,” says Sudha. Instead, it was the sensitively-told narrative that drew her in. “All my life, I had often seen people like Sathaar, but I never comprehended their lives. This was a journey for me to understand the community,” she provides.
No parodies right here
Queer illustration in Tamil cinema has been murky at finest, particularly with the problematic depictions of the transgender neighborhood. Films similar to Eeramana Rojave (1983), Thullatha Manamum Thullum (1999) and Thiruda Thirudi (2003), all the manner up to Shankar’s I (2015) have represented them as parodies. Kanchana (2011) was an outlier in the mass movie market, giving a optimistic portrayal of the titular trans character. And whereas Thiagarajan Kumararaja’s 2019 flick Super Deluxe, starring Vijay Sethupathi as Shilpa, was lauded for giving them a voice, it was nonetheless a hetero cis male taking part in a position.
While comparable casting is sustained in Thangam, Sudha organised workshops for the actors with transgender representatives — who had been additionally at script readings, on set and at dubbing — to be certain that the portrayals had been as shut to actuality as doable. Kalidas recounts, “Kalairani ma’am, a theatre and movie artiste, really helped me get into the skin of this character. Jeeva, another transwoman, helped with my body language. She also shared stories and incidents from her life, which helped me understand Sathaar better.”
The result’s a refined portrayal of a well-rounded character and never a caricature with exaggerated mannerisms. “Coming from a background of mimicry, it is really easy for me to slip into that mode. But I was very conscious of not going down that route; there was a very fine line I had to tread,” provides Kalidas. This included not watching content material with trans characters that might affect his appearing in any manner.
Bhavani Sre, Kalidas Jayaram and Shanthnu Bhagyaraj in ‘Thangam’, their quick movie that’s a part of Netflix’s upcoming Tamil anthology, ‘Paava Kadhaigal’
Capitalising on OTT
Bhavani Sre, who makes her OTT debut with this movie, performs a pivotal position. “I have always been empathetic to the LGBTQ cause. This story was told so beautifully, and I had never seen it treated that way. So when I was called to audition, I went with the aim of cracking it,” she says with a smile. Shanthnu provides that his first precedence was working with Sudha. “Compared to Sathaar, Saravanan was an easier role to play. But he has his own transformations as well: being in love, being a friend, facing the parents, facing the society… Though he is fond of Sathaar, there is still a small amount of selfishness, which portrays a majority of the society,” he says.
Both Bhavani and Kalidas agree that a movie like this may by no means have made it to the large display. “OTT gives us the freedom to come up with content that we could not otherwise create,” she says. For Sudha, working throughout the pandemic put many issues in perspective about the manufacturing course of. “We shot [Ilamai Idho Idho] with a crew of 10. The efficiency I saw was something I had not got from a crew of 185. For Thangam, we had to dub with only five people in the studio, so the actors doubled up for crowd dialogues as well. I would love to take forward this indie style of shooting even post-pandemic,” she concludes.