Co-stars and filmmakers recall S.P. Balasubrahmanyam because the actor
“His childlike enthusiasm to act was something none of us will ever forget,” recollects actor Radhikaa Sarathkumar of the time she first met veteran singer S.P. Balasubrahmanyam on the units of the movie Keladi Kanmani.
The singer didn’t simply contact a number of hearts together with his singing throughout languages, but in addition managed to make a mark via his appearing — bringing in depth and nuance to the various characters he portrayed on display screen in a number of Tamil movies.
The music Mannil Indha, that includes Radhikaa and SPB went on to grow to be an enormous hit and continues to be remembered, almost three a long time after the movie’s launch.
As an actor, Radhikaa stated that whereas SPB had infectious enthusiasm, he was additionally very acutely aware and keen to grasp the nuances of the character he was enjoying.
“I was very fascinated by the fact that he had sung the song without taking a breath in between and on the sets, I would keep asking him to sing and show me how he recorded the song,” says the actor, who recollects that they shot the music in Mahabalipuram and made many great recollections.
Over the years, he shone in a quantity of roles — notably because the sharp and calculative CBI officer Lakshmi Narayan in Thiruda Thiruda and even in his brief, 5 minute look because the fast-talking witty physician in Avvai Shanmughi.
“He was truly multi-faceted and a legend in his own right,” stated cinematographer and director Rajeev Menon. Mr. Menon directed SPB in his 1997 movie Minsara Kanvu, the place he essayed the position of lead actor Aravind Swamy’s father.
“He was so enthusiastic and joyous on set. It was fascinating to see him sparring away with noted playwright and actor Girish Karnad for the film,” he recalled. Their lunch time on units, Mr Menon stated, was one full of music. “Over the years, SPB and I have taken several flights together and we would discuss music as well as sing for the entire journey.”
Like his position in Minsara Kanavu, SPB introduced in so much of warmth enjoying the daddy to a number of Tamil heroes onscreen – be it Ajith in Ullasam, Vijay in Priyamanavale, or Prabhu Deva in Kaadhalan.
His position in Kaadhalan particularly, the 1994 movie directed by Shankar, was an prompt hit among the many audiences then and the video for the music Kaadhalikkum Pennin Kaigal which featured each Prabhu Deva and the singer stays fashionable until date.
“For someone who saw so many films across languages and managed to deeply analyse as well as reflect on them, it still surprises me that he never took up direction.” stated director Vasanth.
The filmmaker recalled how he first noticed SPB act in a cameo position on the units of Ok. Balachander’s Manadhil Urudhi Vendum. “The minute he finished his take, Suhasini Maniratnam and I both remarked at the same time how realistic and natural he was in front of the camera,” he stated.
SPB went on to star in Vasanth’s first movie Keladi Kanmani. “Even in the film, he played the role of A.R. Rangaraj with such simplicity and honesty. This is a special talent that not many people have — to realistically bring alive characters on screen.”
Everyone he had labored with on the units remembers his joyous nature and the way jovial he was. “You wouldn’t expect that someone who was as busy as him could be so cheerful and polite all the time. It baffled many of us that he was never angry,” Mr .Vasanth remarked. Last yr, to have a good time 29 years of Keladi Kanmani, the filmmaker and the singer participated in two stage occasions commemorating the movie.
His nature off-screen is what the folks he labored with, consider mirrored in his singing as effectively. “The joyousness and the smile he brought into his singing is what made his voice remain young. His voice was an ageless one- with a smile,” Mr Rajeev Menon stated.