More than 40 musicians from totally different locations in India and overseas participated in the fête
With over a lakh views and musicians becoming a member of in from throughout the world, this 12 months’s anniversary fête in memory of maestro Neyyattinkara Vasudevan was a totally different expertise altogether for musicians, music buffs and organisers.
Instead of a grand live performance and a lecture which are often organised by Manirang, the Neyyattinkara Vasudevan Foundation, to pay homage to the musician, the organisers determined to go in for a week-long online programme from September 21 to 27 in view of the pandemic and curbs on the quantity of folks attending a perform.
“We invited Vasudevan sir’s disciples, their students and certain select musicians to participate in the programme. Their recitals were posted on Facebook and the number of views came as a boost to our morale,” says eminent Carnatic vocalist Sreevalsan J Menon, Neyyattinkara Vasudevan’s prime disciple.
In addition, veteran musicians like TH Subramanium who wished to supply tribute to Neyyattinkara Vasudevan additionally participated in the fête. “It turned out to be an online gathering of musicians of different generations. Laila Sashikumar, Vasudevan sir’s disciple who rendered Tyagaraja’s ‘Intha Soukya’ in Kapi, was perhaps the senior-most while Anjana A who sang ‘Jalandhara Supeedasthe’ in Valachi was the youngest. Senior vocalist Ayamkudi Mani, who had been taught by sir, recalled sir’s teaching method and how each class was special. Since the recitals are there on Facebook, anyone can go back to listen to them,” explains Sreevalsan.
The organisers had given a time restrict to every of the singers and so they have been requested to start their efficiency after saying a few phrases to pay homage to the late virtuoso.
As Edappally Ajithkumar factors out earlier than his melodious violin recital, Neyyattinkara Vasudevan was amongst the handful of Carnatic musicians from Kerala who had carved a area of interest for themselves with out transferring away from the State. Moreover, his programme Karnataka Sangeeta Paatam on All India Radio proved to be a information and eye-opener for college students of classical music in the State.
Subbulakshmi Krishnamoorthy, Vidhu Vijay, Anish Ram, Anand Subramanium, Gayathri Devi Vijayakumar, Kollam Balamurali and Latha Prasad have been some of the vocalists who participated in the programme. Saranya Ozhukil, Sreevalsan’s scholar, tuned in from the US with the soulful Swathi kriti ‘Saramaina’ in Behag, whereas ghatam exponent Vazhappally R Krishnakumar performed ‘Tamburee mettidava’ on the ghatam.
Thodupuzha Manoj Kumar, who used to accompany the legend on the violin, was amongst the senior musicians who participated.
“It was a first for us and we were not sure how it would pan out. Contrary to our expectations, it turned out to be a huge success and now we are planning to see if it can be made an annual feature along with the concert and lecture,” says Sreevalsan, who carried out a duet together with his son, Narayana Menon.
He provides that even after the official conclusion of the ‘remembrance week’, musicians from throughout the world have been sending musical notes of love and affection as a mark of respect for Neyyattinkara Vasudevan.